I'll start by mentioning that you can count the number of Chinese electro artist worth knowing about on one hand, and with A.M.U, it's definitely your right thumb you should be raising. The album name Diamond fits without a doubt, as this truly is a rare gem. A.M.U has shown surprising maturity for a Chinese kid, so far away from all the western hype, and he is already leading the 8-bit music craze in the Middle Kingdom.
Heavy beats, insane melodies, smart programming and unusual bleeps ... A.M.U's ability to provide strong dance floor tracks straight out his Gameboy comes from his experience touring and smashing Beijing and Shanghai's clubs with his unexpected DJ sets. Do not miss the chance to listen to Diamond - this jewel of an EP will surely end as your favourite new 8-carat ear piece!
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powerfulnew and weird here is the suggestion of forever in an eyeblink, hoping hoperaves hands in air, strobelights in an undiscovered sky whateverness or techno otherwise, I will alwaysand timeless expanses vast adorehouse andacid thank you for all the idm you've kissed into my life.
It's surprising to me as someone who generally isn't that big on chip music that I'm on my third straight play through minusbaby's new album, Derecha. And even though I admittedly get fidgety and impatient on hearing more than one song at any given time in any given genre (chronic musical ADD), here I am humming along like an asshole, more forcefully with each repeated listen, ad-libbing riffs here and there while I finger-drum beats on my desktop like a white Candido, and quickly approaching my fourth return listen.
As an album, it's a mature progression from his previous EP, Left. And it's damn good. And I want to tell people about it, but what do I even say? It's chip music, but it doesn't sound like something from any video game I played when I was a kid. It's new music made with old-school mentality using a combination of sounds that could either be from 1985 or 2085. It's funky, it's danceable, it's composed, it's cerebral, it's performing a complicated samba throughout the Southern Hemisphere at times. It's all of these and yet it's none of these.
After having met at Blip Festival 2009, Coova and little-scale signed a treaty to merge their respective battalions and combine their unique combat styles in order to ward off evil enemy forces. Coova’s artillery of choice is the Nintendo Game Boy with the Nanoloop 1.5 ammo cartridge whilst little-scale’s war science research department has developed a weaponised strain of the SEGA Nomad. The result is an armed force to be reckoned with, ready to do battle on any audio playback system at high volumes.
Lost in orbit around the third planet from the star Canopus, the second brightest star in the night-time sky, the GSV Desmos drifts forgotten through outer space. The original crew have been dead for decades and their descendants are forced to scavenge in the huge craft's shadowy maze of decaying rooms and corridors. Kept alive by the ship's few remaining atmosphere systems, this is the soundtrack to the remaining survivors lonely voyage through the cosmos. Written using a Game Boy and some junkshop FM and GM keyboards, Desmos is a journey that invokes as much of the spirit of Oldfield as Jellica can possibly bring himself to summon and attempts to show off the DMG-01's synthesis capabilities to their fullest using a long squiggly line of wobbly electro.
Gear up, put on your helmet and sit back for Lander, a 20 minute journey of the four operators of the Galileon out of the ocean and into space. Linde's 8bitpeoples debut showcases his more ambient and floaty musical strata using simple FM synthesis and a couple of slow-working years of on and off tinkering with the songs. The resulting track list is a chronological journey of trance inducing loops, mellow pads, buzzing leads and bubbling sound effects all put together during unhealthily late nights, forming an unmistakably digital, yet organic, science fiction soundtrack. Listen and enjoy.
Using the YM2612 sound chip in the Sega Genesis and a Yamaha DX-100 keyboard, Joey Mariano, in TRENCHVENT, takes FM synthesis beneath the atmosphere to a secret place at the end of the ecosystem. Underwater, biology and technology morph into each other while the open air grows stale. Now, the coordinates have become a hot spot where crevices create sounds, and where an eel can ignore the mountains of waste above.
"Data Drop: 12 Tracks For Co-Conspirators," is an exclusive collection of previously unreleased tracks by Blip Festival 2009 participants; made available only to the event's supporters and donors. 8bitpeoples, The Tank, and the Blip Festival crew extend our genuine thanks to you for ensuring that Blip Festival 2009 took place, and we hope you enjoy the release.
Receptors has replaced an old toy with a new one, this time picking up a Nintendo DS and putting it to use with the Korg DS-10 software. The USER tracks were perhaps the most focused of the "groKwork" sessions, originally recorded during the Fall of 2008. Now, 8bitpeoples is pleased to present this fully extended and remastered edition - the USER Deluxe EP.
Roland had studied the data on the first four cartridges for a very long time, when he realized that the lamprey was hiding a fifth inside it's mouth. Discovered, the lamprey wheezed and sputtered, blowing air through the cartridge in an attempt to make it sound out a tune. Confused and frustrated, it spat the item out into the sand and disappeared into the vast, toxic lake. Roland dried it off, inserted it into the DMG, pressed start and heard the growling waveforms emerge. This sound brought to him the realization that a year had passed in this wasteland and there was now much work to be done.