This release is testament to the positive social effects of alcohol ... On the one hand Nullsleep plied gwEm with drink to encourage him to agree to
do an 8bp release, on the other hand gwEm spiked Nullsleep's drink so that
he'd agree to make it a live album. When it came to finding someone
to record the show gwEm and Random ended up plying each other with drink
until they realized the logical course of action. Sadly, gwEm's long time
creative partners MC Counter Reset and Colin needed no such alcoholic
encouragement. Shows in Hell are easy to get, but hard to come back from. The next best thing we could find was the Bethnal Green Workingman's Club in London's east end. This is the pure sounddesk recording of a very special gig. The only instruments you hear are one Atari STe, a drum kit, and a Flying V through a seriously cranked Marshall.
After a five-year hiatus, minusbaby returns to our discography with the hip-shaking "Saudade for Beginners"; five tunes written in São Paulo, Brazil and East Harlem, New York City. Whereas "Monkey Patch" concerned itself with fictitious apes and animal hybrids, "Saudade for Beginners" aims to express life after the experience of saudade, a term often discussed pedantically by the academe, but best left to music and poetry as in bossa nova and samba – of which minusbaby is a devoted connoisseur. Shake what your mãe gave you.
Nullsleep emerges from the darkness with Unconditional Acceleration – an exploration of romance and tragedy in the 21st century. Five songs, limitless intensity. Ecstatic bursts of cascading waveforms race toward uncertainty. A feeling of ever increasing separation develops. Unattainable distances are approached and sheets of white noise issue forth from the fissures of an obsessively restructured reality. The sound surrenders in memory of another time and place, to which we can never return.
What is the difference between a modal and moduless window? Why do samuraj have long hair? Windows is so slow, but why? To slap happy bee, or not two III EP? That is the question! Teen Samurajs cutting hipster haircuts! The window of a chip, is in the whip of the hip. Never modulate the subconscious, beware of school. Provided with wings and/or antennae, unanimously, the bees agree, while hearing out these MP3s!
Dive onto the dance floor with a hybrid heart of NES bleeps and heavy beats. Trash80 has made his way back from exile with his long over due second EP Icarus – A modern chip-rock-techno-electro dance excursion. Push, climb, bite, crawl your way though the super galactic interstellar network of consciousness to rediscover one of next year's hottest releases to date.
Firebrand Boy is Philip Cunningham. Since 2004, he has mashed up the sounds of a Game Boy, a Nintendo Entertainment System, a Commodore 64 and an Atari 7800 to create intelligent dance-pop with beautifully honed lyrics and vocals laced with vicious lashings of the guitar. Critically acclaimed as an unstoppable live act, Firebrand Boy is currently turning heads on the Scottish gig circuit, and is determined to take his brand of fired-up electronica-with-a-heat across the UK and beyond. Firebrand Boy gets the shakes if he does not eat enough, and his girlfriend thinks he is pretty high up on the autism spectrum. Somehow he's survived long enough for 8bitpeoples to release his long overdue Songs for Cake. Hopefully you'll survive listening to its silly pop charm.
It's a common misconception that ZX Spectrum 48K sound is generated solely by the Z80 chip, with the AY chip only being used by the more high-tech 128K models. This is not true. The first AY interfaces for 48K Speccys appeared around 1990. FREAKuencies was written entirely on the ZX Spectrum 48K (more specifically a Timex Computer 2048 - the American/Portuguese ZX48K clone) with AY interface. Sound-Tracker 1.1, a Polish music editor made especially for such configuration was used to create these chiptunes on a computer not much bigger than a calculator. Class is over, now go enjoy!
What you think is a Game Boy is quite possibly a guitar. In Open Air, Joey Mariano aka Animal Style meshes his jazz guitar playing proficiency with Game Boy programming skills and compositional command. The concept for this release was to create a more organic sound while retaining most of the classic textures that chip music connoisseurs enjoy. Masking his guitar with the 8bit fuzz pedal, Mariano secretly adds a human touch to the robot-compliant world of chip music. Bring in some splashes of PCM flavor, some raw zaps, a few introspective breakdowns, a couple improvised guitar solos, a pulsing beat and you get the picture: The horizon of chip music is open -- and full of possibilities.
Gijs Gieskes is an industrial designer from the Netherlands who is probably best known for the fascinating mechanical devices he constructs for musical and visual expression. However, with 'Molen' his debut release on 8bitpeoples, he puts aside physical implements and we find him operating solely within the digital realm. Despite the change in approach his songs retain a clockwork feeling, sometimes breaking down in surprisingly charming ways. As they whir, stutter and plod along delightfully toward some unseen destination one can't help but imagine their creator standing by, watching and smiling.