L-Tron delivers a tightly packaged box of wrangled insanity tied together with disarming potency and four-on-the-floor beats. This is more than dance music, this is don't think about how you dance music. In motion it's equal parts beauty to blister. Opening the blinds, L-tron gives you a glimpse of the demons at his doorstep and the sword he uses to slay them. In this four track EP, dance music structure is melted down and recast, leaving your ears to search for a sound that isn't. Even if your feet haven't moved by the end of it all, you will have gone somewhere.
From the depths of his sophomoric yet mischievous mind, Doomcloud has returned to unleash his latest creation, The Masquerade. This album is aggressively smothered with four original NES productions that even the Underworld would approve of. Please experience these tunes at your own risk.
It's been a few years since Kris Keyser's last EP, and the incubation period seems to have done him well - this eponymous EP sounds like equal parts fire and water, danger and safety. At times it's dark, though still hopeful. It's loud, but nuanced. This is the sound of one LSDJ cart stretched to its limits, yet it finds balance in the midst of the storm.
ZX Spectrum poweruser Yerzmyey emerges from the shadows with Brutal And Aggressive, a six-song foray into the YM/AY dimension's darkest atmospheres. Serrated arps flank cold, phasing tones and punishing low-res rhythms, challenging you to either join the darkness, or meet your end resisting.
Beijing powerhouse Sulumi crashes the 8bitpeoples party with the long-awaited international triple-threat maxi-single Music Offers the Third Eye. The lead-off track "Jurchen" sets the stage with spacious, thunderous Nanoloop beat machinery, and then gives rise to its own pummeling genetic variants courtesy of Shanghai's Elecoy and Stockholm's Covox. Download, plug in, be enlightened.
The day Radlib was asked to play Blip Festival NYC 2012, he
immediately had the idea to put his own spin on some of his all-time
favorite chiptune tracks. The result: four turbocharged dancefloor
monsters, collected here in one killer debut EP. Armed with some old
Sound Blaster 16 sound cards, Radlib keeps the party moving and
creates electro-house free-for-alls via FM synthesis. Long live OPL3.
Long live MS-DOS. Long live LO-FI.
"Philips MUSIC MODULE is exciting to use and unique in its simplicity. You don't need to have any musical expertise or knowledge, yet with MUSIC MODULE you can create music ranging from classical to pop in a host of different musical and ethnic styles."
this is the first legitimate release from luke silas as knife city. he makes loud dance music using game boys, and loves to play it live for you. buy him a drink if you go to a show. plz&thx! °•.˛♥˛.•°
This EP was composed and recorded using a Nintendo Game Boy and Johan Kotlinski's Little Sound Dj software over a period spanning 2009-2011, in New York City (with the exception of redshift, written on Long Beach Island, NJ). I spent much of this same period studying and teaching philosophy, which has, among other blessings, acquainted me with the limitations of words. Ockham's Chainsaw is a fanatical application of William of Ockham's advice to prefer the simplest hypothesis: the very simplest hypothesis is " ". I believe that music is itself communicative, and I offer this EP as an argument for the conclusion: YES.
"This is a pretty serious release," said Jellica in the email that accompanied my copy of Safafa. Like all great British eccentrics, Jellica is very serious about everything he does, whether he's giving his tracks utterly unpronounceable titles, penning musical homages to cats or indulging in some of the most expressive free-dance you're ever likely to see on stage at a chip gig. With Safafa, he's set his sights even higher: nothing less than an epic counter-factual voyage to the stars, wherein space was conquered in the 80s by an Amiga-fixated generation of British kids. The tempos are slower on Safafa but Jellica's LSDJ magic is as intricate and textured as ever, reflecting the contradictions of a journey where the enormous speeds achieved are dwarfed by the vast distances yet to be covered. All in a day's work for Jellica - a serious man, but all the more fun for it.
The third release at 8bitpeoples from Mr. Spastic named Lucid represents an album of works meant to express conscious and unconscious dreams. It is a departure from earlier works in style with the addition of vocal compositions. Rhythmically more downtempo, the release aims to appeal to the pensive dreamer. Sleep well.
Every member of The J. Arthur Keenes Band have put their heads together to bring you this long-overdue release of 7 gameboy-based pop songs. Smothered in nearly more overdubs than the substandard system it was recorded on could process, Computer Savvy offers a hazy blend of the archaic sounds you know and love with as many other sounds as could fit.
This release sees the return of Kplecraft to 8bitpeoples four years after their previous EP. On L 012 you can expect all of the usual Kplecraft goodness: tunes written for NES accompanied by layers and layers of additional instrumentation played by the Kplecraft members. Kuske on saxophone, clarinet, ukulele, recorder and Andes 25F; with Eddie on congas, bongos, ukelele, trumpet and trombone. A sonic treat that destroys any divide that existed between chiptune and acoustic music.
The YM Rockerz collective represents the cream of the Atari ST chiptune scene's musicians. After six genuinely landmark releases to the demoscene, YM Rockerz music disks have become an eagerly anticipated event. This unique seventh release is being carried out in conjunction with 8bitpeoples, and includes high quality soundchip recordings on the 8bitpeoples site, together with a specially created demoscene music disk release on the YM Rockerz own homepage. The Rockerz are not content to put up with exisiting software to make their music, three of the eight musicians on this disk have made improvements to their trackers just to compose music for this release.
Reformat: A Tribute To Bit Shifter's Information Chase
Conceived in conspiratorial secret by Michael Lerman (Datapop, Fuckjazzforaminute) as a birthday present for Josh Davis (Bit Shifter), the Reformat compilation sees nearly two dozen reinterpretations of tracks from the Bit Shifter EP Information Chase, by musicians from around the world, in a dizzying and at times hilarious array of styles and approaches. Released to coincide with the five-year anniversary of Information Chase, Reformat takes the opportunity to approach a handful of familiar tracks from 23 unexpected angles, resulting in a compilation that's as unpredictable as it is fun.
All profits from sale of the Reformat compilation will go to Japan earthquake and Pacific tsunami relief via the American Red Cross.
filled with fear i saw him: smoke, flames and ichor swirling, dancing all arovnd him.
he had come for the throne. his prophesied return was upon us. his rage for us, forever.
with fire and corpse, brutal song and chaos, with lash and fist and knife and scream did he decidedly destroy. nation after nation falling, smashing and ripping and raging forever and forever. oh, the beat ov his drums! the sound ov his music! the insistent pound pound pounding ov his final war. the pound pound pounding that made us believe. that made us worship. that sick and delightful worship that made us willing, made us strong, made us dance.
there is no memory of any before him. there is no need. his coming provoked a brand new age as we one and all became his devoted followers.
to Rainbowdragoneyes do we drink the primordial booze. to Rainbowdragoneyes do we bow.
In his sophomore 8bitpeoples release, IAYD (I Am Your Destruction) returns from the depths of the cosmos, armed with an arsenal of arresting arias. Burning white hot and furious, his concussive calls-to-arms serve as much to inspire as to enrage. Composed of three parts bête noire, two parts rancor, Like A Phoenix destroys and disrupts. Prepare yourself for the impact of this anthemic anthology, spanning the years 2008-2010.
James York a.k.a. Cheapshot a.k.a. Yorkie a.k.a. better at dubstepwobblebasschipfunk than you has been tearing up the Tokyo live scene for the past year with more fans than a top seed gladiator. This EP is part of the reason why. Dark and gritty, instantly accessible, and hard to forget. Phone home and tell your mother, Cheapshot has arrived.
Hooray, the new year is tolerably new! Pianist and weatherman John Pohlman retires to play spiffy piano jazz and unremittingly listen to Psilodump during his long-awaited vacation, tuned in with his venerable portable travel radio. After 30 years, Pacman finally finds a qualified metronome to aid him in his training towards eating pac-dot-nom's in unmitigated on-target sync with even the most adequate techno rave beats around. His iron determination is undisputed! As for Psilodump, the new year only heralds supplementary adventures beyond challenge!
With the galaxy safe once more, our hero Space Captain Sievert returns home. After landing his ship on the small island known as Earth, he shows the people the things he has discovered and peace is restored again. Even if only for a brief time, our hero is happy to take a well needed rest from defending the galaxy. In his third album, Sievert gets back to his punk-ska roots to celebrate all of the things he loves: good times, good friends, beer, dogs, cartoons, pizza, chips, dips, and face-rips.
I'll start by mentioning that you can count the number of Chinese electro artist worth knowing about on one hand, and with A.M.U, it's definitely your right thumb you should be raising. The album name Diamond fits without a doubt, as this truly is a rare gem. A.M.U has shown surprising maturity for a Chinese kid, so far away from all the western hype, and he is already leading the 8-bit music craze in the Middle Kingdom.
Heavy beats, insane melodies, smart programming and unusual bleeps ... A.M.U's ability to provide strong dance floor tracks straight out his Gameboy comes from his experience touring and smashing Beijing and Shanghai's clubs with his unexpected DJ sets. Do not miss the chance to listen to Diamond - this jewel of an EP will surely end as your favourite new 8-carat ear piece!
so golddust and joyful impossible, the feeling of Lissajou and Strangelette is ever effervescently, spontaneously, instantaneously changingevery cosmic into
powerfulnew and weird here is the suggestion of forever in an eyeblink, hoping hoperaves hands in air, strobelights in an undiscovered sky whateverness or techno otherwise, I will alwaysand timeless expanses vast adorehouse andacid thank you for all the idm you've kissed into my life.
It's surprising to me as someone who generally isn't that big on chip music that I'm on my third straight play through minusbaby's new album, Derecha. And even though I admittedly get fidgety and impatient on hearing more than one song at any given time in any given genre (chronic musical ADD), here I am humming along like an asshole, more forcefully with each repeated listen, ad-libbing riffs here and there while I finger-drum beats on my desktop like a white Candido, and quickly approaching my fourth return listen.
As an album, it's a mature progression from his previous EP, Left. And it's damn good. And I want to tell people about it, but what do I even say? It's chip music, but it doesn't sound like something from any video game I played when I was a kid. It's new music made with old-school mentality using a combination of sounds that could either be from 1985 or 2085. It's funky, it's danceable, it's composed, it's cerebral, it's performing a complicated samba throughout the Southern Hemisphere at times. It's all of these and yet it's none of these.
After having met at Blip Festival 2009, Coova and little-scale signed a treaty to merge their respective battalions and combine their unique combat styles in order to ward off evil enemy forces. Coova’s artillery of choice is the Nintendo Game Boy with the Nanoloop 1.5 ammo cartridge whilst little-scale’s war science research department has developed a weaponised strain of the SEGA Nomad. The result is an armed force to be reckoned with, ready to do battle on any audio playback system at high volumes.
Lost in orbit around the third planet from the star Canopus, the second brightest star in the night-time sky, the GSV Desmos drifts forgotten through outer space. The original crew have been dead for decades and their descendants are forced to scavenge in the huge craft's shadowy maze of decaying rooms and corridors. Kept alive by the ship's few remaining atmosphere systems, this is the soundtrack to the remaining survivors lonely voyage through the cosmos. Written using a Game Boy and some junkshop FM and GM keyboards, Desmos is a journey that invokes as much of the spirit of Oldfield as Jellica can possibly bring himself to summon and attempts to show off the DMG-01's synthesis capabilities to their fullest using a long squiggly line of wobbly electro.